ERIC ZEISL
Biography
Archives
Performances
Recordings
Essays
and Articles
Publishers
Catalogue
Biography
"Eric Zeisl was
born in Vienna on May 18, 1905. From childhood,
he demonstrated an unshakable resolve to compose. Against strong family
resistance, he entered the Vienna State Academy at age fourteen. Two
years
later, his first publication appeared, a set of songs. Despite acclaim
as one of Austria's brightest young compositional lights, Zeisl
eventually
fell victim to Europe's gathering political storm. In November, 1938,
he
fled Vienna for Paris and temporary refuge, but it was only upon
reaching
America in September, 1939 that he found permanent sanctuary. Against
formidable
odds, he achieved recognition in his adopted land, with praise for his
work coming from fellow composers Erich
Wolfgang Korngold, Darius
Milhaud, Igor
Stravinsky, Mario
Castelnuovo-Tedesco, Alexandre
Tansman,
Hanns
Eisler, Ernst
Toch, and Alma
Mahler-Werfel, among others. Then, on February 18, 1959, at
the age
of 53 and at the height of his creative powers, Eric Zeisl suffered a
heart
attack after teaching an evening class at Los
Angeles City College. He died that night." (Prof.
Malcolm Cole, author
of Armseelchen:
The Life and Music of Eric Zeisl, published by Greenwood
Press.)
Zeisl's music
is richly tonal, but with a modern sensibility. Prof. Malcolm Cole
describes
his style as "notable for expressive melody, rich harmonies, strong
dance-derived
rhythms, and imaginative scoring." He was perhaps the youngest of the
once
successful emigré composers who were forced to abandon their careers
and flee Europe. Zeisl was hurt more than most because his reputation
had
not yet been secured. He won an Austrian state prize in 1934 (for a
Requiem
Mass), but because he was a Jew he could not secure a publishing
contract
since his works would have by that time been banned in Germany, the
primary
market. (He was just 29 years old.) Despite this disadvantage, the
Viennese
publishers Universal
Edition and Ludwig
Doblinger published Zeisl's orchestral
works and songs in the 1930's. The Anschluss
in March 1938 abruptly
ended hopes of any future Central European publications or performances
including the planned premieres of Zeisl's comic opera Leonce and Lena
(after Georg
Büchner) by Radio Prague and at Vienna's Schönbrunn
Schlosstheater.
After narrowly escaping capture during the Kristallnacht
pogrom of November
9, 1938, Zeisl and his wife fled from Vienna, settling first in Paris,
where Zeisl began his lasting friendship with Darius
Milhaud. Upon
his arrival in New York at the end of 1939, Zeisl obtained a number of
radio performances (and received an unused recommendation from Hanns
Eisler
for study with Arnold
Schoenberg), but he was soon lured to Hollywood,
where he suffered from being a late-comer to the movies. He worked on a
number of well-known films, but never received a screen
credit. He
soon abandoned film music and returned to serious composition. Zeisl
was
composer-in-residence at the Brandeis-Bardin
Institute and at the Huntington
Hartford Foundation. At Los
Angeles City College, his students included oscar-winning
film composer Jerry
Goldsmith. The composers Leon
Levitch, Robin
Frost and Julie
Mandel also studied with Zeisl. In Hollywood, Zeisl
composed
a piano concerto, cello concerto (for Gregor
Piatigorsky), four ballets,
numerous choral and chamber works, and half of an unfinished opera,
before
being felled by a heart attack after teaching the composition theory
class
(later taught by Ernst Krenek)
at Los
Angeles City College on February
18, 1959.
Archive
The Eric
Zeisl Archive is located at the University
of California at Los Angeles.
The archives contain nearly all of Zeisl's music manuscripts, as well
as
a vast correspondence
which has been indexed and computerized for research
on-line. A complete list of works in the archive is also here.
This site has an extensive non-commercial archive of mp3 files of interviews
and lectures. The mp3 archive includes the audio
guide from the extensive 2005 Eric Zeisl exhibition (view catalogue) at the Jewish Museum of Vienna.
Eric Zeisl's family
tree is also on the web. You can also read Gertrud
Zeisl's oral
history, or listen to it here.
Barbara Zeisl
Schoenberg's Eric Zeisl
Page has additional photos.
Performances
A list of recent and upcoming performances
Books and Recordings
Click here
for a
list of books and commercial recordings
of Zeisl's works.
Further information on Zeisl recordings is also available here.
This site has an extensive non-commercial archive of mp3 files of performances
and recordings of Zeisl's works, which are available for study purposes
only.
Two books on Zeisl, Fremd bin ich ausgezogen
(2005) and .
. . es grusst dich Erichisrael (2008) by Dr. Karin Wagner
are available from Czernin
Verlag. Prof.
Malcolm Cole's Armseelchen:
The Life and Music of Eric Zeisl (1984) is
available from Greenwood
Press.
View the catalogue of the 2005 Eric Zeisl
exhibit at the Jewish Museum of Vienna.
Essays, Articles, Interviews, Lectures, Videos
Biographical
Essay (Gertrud Zeisl)
Biographical
Essay (Barbara Zeisl Schoenberg -- German)
PHOTOS
The
Reception
of Austrian Composers In Los Angeles (Barbara Zeisl
Schoenberg)
Requiem
for
a Composer (Lynn Gaubatz)
Morgenstern Lieder liner notes (Malcolm Cole)
Eric Zeisl: The Rediscovery of an Emigre Composer (Malcolm Cole, Musical Quarterly 1978 LXIV(2):237-244)
Interview with Maria Altmann (Barbara Zeisl Schoenberg)
Hilde Spiel und Erich Zeisl
Requiem Ebraico (youtube)
Archival interviews
and lectures
Publishers
To obtain scores or parts for any of Eric Zeisl's works,
please contact
Z.M.P.
The music of Eric Zeisl is published by a number of
publishers, including:
-
Zeisl Music Publishers (Z.M.P.), 11429 Chenault St., Los Angeles, CA
90049,
tel: +1-424-208-3844, fax: +1-424-208-3405, email:randols @ bslaw.net
-
Musikhaus
Musikverlag Doblinger,
Dorotheergasse 10, A-1010 Vienna, Austria, tel: 43-1-515-030, fax:
43-1-515-0351,
email: info@doblinger.at
-
Universal
Edition, Bösendorferstrasse
12, A-1010 Vienna, Austria, tel: 43-1-505 86 95-0, fax: 43-1-505 27 20,
email: office@universaledition.com
Eric Zeisl and Z.M.P. are members of ASCAP.
Please send an email to Z.M.P. at randols @ bslaw.net
if you would like any more information about the works of Eric Zeisl.
Catalogue
Eric Zeisl's works include the following (for more detailed
information
visit the on-line catalog at the Eric
Zeisl Archive or search through our archive of mp3 files):
Published Works
Songs:
Choral
Works:
-
Requiem
Ebraico: 92d Psalm 1944/45 for baritone, soprano, alto, mixed
chorus and orchestra
(or organ/piano) (Doblinger)
-
Four Songs for Wordless Chorus 1948 (Songs for the
Daughter of Jephtha) (J.
Fischer & Bro./Belwin Mills)
Solo
and Chamber Music:
Orchestral
Works:
Ballets:
Unpublished Works
Songs:
-
Approx. 70 unpublished songs including:
- Vale,
1922. Baritone with piano/Baritone and orchestra (1928). Text : Karl
Stieler
- Berückung,
1924. Soprano with piano. Text : Richard Dehmel
- Die
Nichtgewesen, 1925. Soprano with piano. Text : Isolde
Kurz
- Jannette,
June 3, 1925. Soprano with piano. Text : Otto Julius Bierbaum
- Kommst Du nicht herein,
February 1926. Soprano with piano accompaniment. Text : Karl Kobald
- Du,
June 1926. Soprano with piano. Text : Rudolf Paulsen
- Es spinnt
sich ein, August 1926. Baritone with piano. Text
: Rudolf Paulsen
- Komm heil'ge Nacht,
April 1927. Baritone with piano accompaniment. Text : Fritz
Böhm
- "Aus der
Hirtenflöte" Soprano with piano. Text : Karl Kobald
- Wenn der
Abend leise kommt, March 1927.
- Meine
Seele fliegt zu Dir, May 18, 1927
- Warum
weint am Uferrand, May 1926
- Waldfrieden
der Einsiedel, spielt leis auf seiner Fiedel, 1927.
- Immer leiser wird mein Schlummer,
June 1927. Soprano with piano. Text : Hermann Lingg
- So regnet es sich langsam ein,
August 1927. Baritone with piano. Text : Cäsar Flaischlen. English
translation "Last Rose". Included as number five of the unpublished
collection "Liedercyklus".
- Der Tod
wird uns, [August 2, 1927/[March 1928]. Baritone with
piano/Baritone and orchestra. Text : Calé
- Der schwere Abend,
July 30, 1928. Baritone with piano. Text : Nikolaus Lenau
- "Mondbilder".
English translation written under the German. Text : Christian
Morgenstern September 1928. Baritone and orchestra.
- Du,
October 3, 1928. Soprano with piano. Text : Ricarda
Huch
- Sehnsucht,
November 1928. Baritone with piano accompaniment. Text : Johannes Schlaf
- Wiegenlied,
December 1928. Soprano with piano. English text written under German -
orchestral version. This is the earliest of three
Wiegenlieder: a
second is included in the "Kinderlieder (III) and a third occurs in the
opera "Job." This first Wiegenlied reappears in instrumental form in
the suite "To the Promised Land" [see III B. ORCHESTRAL COMPOSITIONS.
Suites, no. 6].
- Vöglein
Schwermut, April 1929. Alto with piano. Text : Christian
Morgenstern
- Kein
Seufzer spricht von meinen stummen Schmerzen, May 1929.
Soprano with piano
- Der Briefmark,
January 1931. Soprano with piano. Text : Joachim Ringelnatz. Included
as number nine of the unpublished collection "Liedercyklus".
- Ja, ich weiss woher ich stamme
(Ecce homo), January 1931. Baritone with piano.
Text by Friedrich Nietzsche
- Lass mich
in deinen stillen Augen ruh'n, January 1931. Soprano with
piano. Text by Max
Dauthendey
- Die Sonne sinkt,
January 1931. Baritone with piano. Text by Friedrich Nietzsche
- Grabschrift [Epigramm],
February 1931. Baritone with piano. Text by Gotthold
Ephraim Lessing.
Included as number thirteen of the unpublished collection
"Liedercyklus".
- Der Tag erwacht,
February 1931. Soprano with piano. Text by Trude Jellinek
- Die Du so fern bist,
March 1931. Baritone with piano. Text by Otto Erich Hartleben. English
translation by Gertrud Zeisl. Included as number two of the unpublished
collection "Liedercyklus".
- Seufzer
der Sehnsucht, March 1931. Soprano with piano. Text by
Martin Graf. Included as number one of the unpublished collection
"Liedercyklus".
- Wanderers
Nachtlied, 1931. Baritone with piano accompaniment. Text :
Johann Wolfgang Goethe
- Der Fromme,
1931. Baritone with piano accompaniment. Text by Wilhelm Busch.
Arranged also as duet for soprano and baritone. Included as number six
of the unpublished collection "Liedercyklus".
- Komm und
reich mir deine Hand, 1931. Soprano with piano
accompaniment. Poet unkown.
- Letzter Tanz [Ballade],
1931. Baritone with piano accompaniment. Text by Emil Prinz von
Schönaich-Carolath. Included as number three in the
unpublished
collection "Liedercyklus".
- Ich kann
es nicht vergessen, 1931. Soprano with piano
accompaniment. Text by Adolf
Strodtmann
- Kater,
1931. Soprano with piano accompaniment. Text by Alfred Walter Heymel
- Die Nacht,
June 1931. Baritone with piano accompaniment. Text by Hermann von Gilm
- Morgenlied,
July 1931. Baritone with piano accompaniment. Text by Joseph Freiherr von Eichendorff
- Das trunkene Lied,
July 1931. Baritone with piano accompaniment. Text by Friedrich Nietzsche
- In der Nacht,
August 1931. Soprano with piano accompaniment. Text by Joseph Freiherr von Eichendorff
- Vor der rechten Schmiede,
September 1931. Baritone with piano accompaniment. Text from "Des Knaben Wunderhorn".
- Abendstimmung,
November 1931. Soprano with piano accompaniment. Text by Kühnel
- Regen,
December 1931. Soprano with piano accompaniment. Text by Johannes Schlaf
- Stille
Nacht, December 1931. Baritone with piano accompaniment.
Text by Richard Dehmel
- Arm Kräutchen,
ca. 1931. Soprano with piano accompaniment. Text by Joachim Ringelnatz
- Ein ganzes Leben,
ca. 1931. Soprano with piano accompaniment. Text by Joachim Ringelnatz
- Der Fremdling,
March 1932. Baritone wiht piano accompaniment. Text by Charles Beaudelaire
- Die
Arbeiter, July 1932. Baritone with piano accompaniment.
Text by Alfons Petzold
- Der tote Arbeiter,
July 1932. Baritone with piano accompaniment. English text written
under the German. Text by Alfons Petzold
- Eing
bukliger Waisenknage singt,
August 1932. Soprano with piano accompaniment. Text by Alfons Petzold
On manuscript copy: "Meinem über alles geliebten Suserle von deinem
Zeiserl Mai 33" [Suserle is Gertrud Zeisl].
- Wanderlied,
August 1932. Soprano with piano accompaniment. Text by Alfons Petzold "Meinem
geliebten Schnupserle zugeeignet".
- Seit Du
fort bist, October 1932. Soprano with piano accompaniment.
Text "Aus dem Chinesischen".
- Kein Ton mehr klingt,
March 1933. Soprano with piano accompaniment. Text by Rudolf Paulsen.
- Altes Reiterlied
["Soldatenlieder"], May 1933. Baritone with piano accompaniment. Text
by Klabund. There is only one song
under the title "Soldatenlieder". At
the top of the first page "Altes Reiterlied" is written. [See also
"Lied im Herbst" and "Polnisches Freiheitslied"]
- Lied im
Herbst, May 1933. Baritone with piano accompaniment. Text
by Klabund.
- Polnisches Freiheitslied,
May 1933. Baritone with piano accompaniment. Text by Adam Mickiewicz.
"Lied im Herbst" and "Polnisches Freiheitslied" may have been intended
as part of the "Soldatenlieder".
- Fuge,
February 1935. Soprano with piano accompaniment. Text from "Des Knaben Wunderhorn"
- Komm süsser Tod,
January 17, 1938. Soprano with piano accompaniment. Poet
unknown.
- Gigerlette,
ca. 1925. Soprano with piano accompaniment. Text by Otto Julius Bierbaum.
- Stille,
1938. Soprano with piano accompaniment. Text by Marie
Weiss.
- Mir ist so
Weh, 1938. Soprano with piano accompaniment. Text by Rainer Maria Rilke.
- Reiterliedchen,
1938. Soprano with piano accompaniment. Poet unkown
- Dieselbe,
1938. Soprano with piano accompaniment. Text by Johann
Wolfgang Goethe, "Mignon Lied', no. 3.
- Ein
Tanzchen, 1938. Soprano with piano accompaniment. Text by M.
Brelitz.
- Untreue,
1938. Soprano with piano accompaniment. Text by Joseph Freiherr von Eichendorff.
- Ständchen,
1938. Soprano with piano accompaniment. Poet unknown.
- Sie hat
mich verstossen, 1938. Soprano with violin obbligato and
piano accomp. Poet unknown.
Choral
Works:
- Three African Songs,
1930, for soli, mixed chorus and piano/orch.
- Banger
Abend, March 1931. A cappella choir [SATTBB} with soprano
solo.
-
Three Choruses, for women's voices a capella. Text Wilhelm Busch. April
1932.
- Es sitzt ein Vogel auf dem Leim;
- Mich wurmt es sehr, wenn ich dran denke;
- Sie war ein Blülelein hübsch und fein.
- Kleine
Messe/Little Mass, 1932, for organ and string quintet,
SATB soloists and mixed chorus
- Requiem
Concertante, August 7, 1934, for SATB solo quartet, mixed
chorus and orchestra
- Three
Women's Choruses, April 1935, for women's a cappella
choir.
- Spruchkantate / Cantata of Verses,
September 1935, for mixed chorus and piano/chamber orch.
- The
Twenty-Ninth Psalm,
"Herrlichkeit Gottes in Gewitter", October 1936, for mixed chorus and
piano/orch. Piano reduction SATB chorus, 2 fl (pc), 2 ob, 2 cl, 2 bsn,
4 hrn, 2 tpt, 3 tmb, tuba, perc., harp, string quintet, organ.
- Two Choruses,
A. February 18, 1938; B. February 25, 1938. SATB chorus.
- From the
Book of Psalms,
Jan. 5, 1953 (orch.score), Dec. 18, 1952 (piano). Tenor solo,
male chorus, fl, ob, 2 cl, hrn, 2 tpt, tmb, harp, (or piano), perc.,
strings.
Solo
and Chamber Music:
-
Suite for Violin and Piano, Op. 2, 1919
- Heinzelmännchen Suite
for piano solo, 1924
-
First String Quartet in D Minor, 1930-33
- Adagio aus
der Sinfonietta, August, 9, 1938. Trombone, divisi violas,
cellos, and bass.
-
November, eight pieces for piano, 1937-38
-
Organ Prelude from the opera Job, June 1939
-
Organ Prelude (No. 2)
-
Slavic Song for B-flat clarinet, 1940
-
The Good Old Time (Menuett) for bassoon, 1940 --
Click here
and type Zeisl to listen
-
Spanish Dance for wind quintet, 1940
-
The Hunt for four horns in F, 1940
-
The Alamo for four trombones, 1940
-
On the Grave of Napoleon for four B-flat trumpets, 1940
-
Chinese Princess for four flutes, 1940
-
Two Hedge-Hogs for oboe, bassoon and piano, 1940
-
The Clarinet Players Penny Song for four B-flat clarinets,
1940
-
Prelude and Fugue in F in the old style for three
trombones, 1940
-
Four Piano Pieces for Good Players for piano
solo, 1944
Orchestral
Works:
-
Suites
-
Fairy Tale Suite from the opera Die Fahrt ins Wunderland,
1935
-
Romantic Comedy Suite from the opera Leonce and Lena,
1939-40
-
Orchestral Suite from the opera Job, 1939
-
Antique Suite for chamber orch. from The Return of Ulysses,
1943
-
To the Promised Land from the opera Job, 1948
- Programmatic Works
-
Moonpictures for baritone and full orchestra, 1928
-
Children's Songs for soprano and full orchestra, 1930-31
-
November, sketches for chamber orch., 1937-38
- Souvenir
- Dance of the Fallen Leaves
- Shepard's Melody
- Victory in Winter
-
Absolute Works
Ballets:
Operas:
-
The Sins (opera in one act, text by Gretl Buxbaum), 1927-28
-
The Trip to Wonderland (folk opera, text by Alfred
Moeller), 1934
-
Leonce and Lena (romantic comedy, libretto by
Hugo P. Königsgarten
after play by Georg
Büchner), 1937
-
Job (2 of 4 acts complete, libretto by Hans
Kafka after novel by Joseph Roth),
1939 -
To obtain scores or parts for any of Eric Zeisl's works, please contact
Z.M.P.